Showing posts with label Crystal. Show all posts
Showing posts with label Crystal. Show all posts

Soul Journey











Soul Journey Overview



Soul Journey, Gillian Welch's fourth album, features solo, duo and band performances - a departure from the 2001 release Time (The Revelator). Contributors to the album include Greg Leisz (Beck, K.D. Lang ) and Jim Boquist (Son Volt). Produced by long-time collaborator David Rawlings. Acony. 2003.



Soul Journey Specifications



Blessed with a soulful and expressive voice and an innate grasp of the melodies and themes of traditional country music, Gillian Welch has made three beautiful, often brilliant, albums. Yet, one can make the case that she's still searching for her own true artistic voice. Soul Journey brings her ever closer to that elusive goal. After 2001's austere, solemn, at times inscrutable Time (The Revelator), this follow-up finds Welch showing more warmth, ease, and openness as both singer and songwriter. As the title portends, the concept of travel (physical and emotional) is a prevailing thread throughout these 10 tracks; she sings of rolling stones "on the road to sin," travelers on "black highways," girls "running around with the ragtop down" and "at the station rolling slow." These characters, perhaps autobiographical, are simultaneously searching for and running away from their pasts, while soft drums, fiddles, organs, and Dobros add a welcome bit of lightness. With the trusty David Rawlings again at Welch's side, the songwriting and production till the earth between their old-time heroes and more modern troubadours like Townes Van Zandt and Neil Young (both the bucolic strummer and, on the closing "Wrecking Ball," the ragged electric wanderer). For Welch and for us, Soul Journey is yet another fascinating rest stop on the never-ending road to self-discovery. --Marc Greilsamer






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Crystal Castles











Crystal Castles Overview



This Toronto based duo of Ethan Kath and Alice Glass have amassed a cult like following through their uncompromising and intense delivery. Stars of the electronic scene, this is Crystal Castles self titled release that is sure to make all the hipsters Top 10 of 2010.





Customer Reviews



This is not a bad album, lets get that close before continuing, but I bought at the same time as the most recent and Ladytron Bells sled. All these albums are pretty down, but none of them fully lives up to hype my expectations.

Crystal Castles, take the opposite direction MGMT, how to approach a record follow-up. While MGMT rebelled against their popular success, with the side pursueing least popular of the two basic types, CrystalCastelli has chosen the most popular side of their sound. DC's first album, had an 8-bit punk side Married to a more sophisticated house-beat-with-sound vocoder (IE: Air, blackmoth Super Rainbow, etc.). As for me, not a drop of punk aesthetic this new version. This version is the kind of slick over-produced affair that is sure to many DC hipster DJ mix tapes around the country post-rave world, but at the expense of losing their fan base boardglitch/noise/circuit-bent/8-bit heads.

I'm sure this was a small price to pay for a social wage, which certainly will increase up to the equivalent of winning a lottery. However, if their plan is the right side of things back on the third version, can run into problems because we now have to Motown for a chance 'to a group that I know are Raising Hell. Perhaps Universal / Motown hope they draw some Lindsay Lohan Drama and score them someFirst page. I doubt it. Noting that the new Ladytron album Cristia Aguilera has contributed, we rather see DC instead of producing for Lohan, or perhaps more appropriate: Lady Gaga.

It seems like this new sound DC, although some of their old sound terribly sterile and safe compared to the bombast of their debut. The rave reviews do not surprise me either, because the album spends much time on mass action, and very little time for artistic heritageSelf-expression. However, it is a good album. I'm just a critic, it was pretty mind numbing as the others describe as critical. There are a lot of stuff sudo-hipster dance that critics love and I do not like LCD Soundsystem, Battles seems, however, as I bought blackmoth justice, or instead.

I sincerely hope that the subtle approach to DC to take this version will grow on me, because it is instant gratification so far. , I am shocked that not blow awayLadytron last album. In fact, merging almost seamlessly into our car CD changer. The best of both albums is their lack of mis-steps. In comparison, Sleigh Bells and Jaguar Love take plenty of risks in the future, their sounds, but both groups are separated by missteps and awkward songs that never get up and deliver Strait.

Choose your poison.




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